In the second half of the
twentieth century, with the introduction of cotton yarn and nylon, which brings
about the creation of new stitches to weave and color development as a
fundamental element of the design of a hammock; with the change in the type of frame
and the opening of the national and international market, the production
process of the hammock is completely redefined.
By
not relying on the knowledge and management of the natural environment for the
production of fibers and tools, one of the first changes is that, generally
speaking, man ceases to participate in the development of the hammocks,
remaining well as a predominantly female activity. She is the woman of the
house who will decide, based on household economic conditions and availability
of time, a hammock is made when and if it will have a commercial purpose or be
for their own consumption.
The
ancient technique of contrived hammock with horizontal racks is abandoned,
adopting a type of vertical frame that can be transported relatively easily
from one room to another and who takes up less space in the house (see
illustration and photography).
With
the introduction of cotton yarn or hemp, in addition to the diversification of
colors, it gives way to the emergence of a variety of stitches or variations in
the form of weaving. In the east were detected up to eleven of these, the most
common, "biscotelas" called "raindrop", "dogs"
and "nugget".
As
for the method of production of the raw material, money becomes the essential
element to start the production cycle, thereby giving rise to a dependency of
the poorest families to intermediaries that provide the thread that can not
acquire for themselves.
At the upper end a piece of
vile observed. The hand position is rotated indicated as sisal fiber to tender
corchando
However,
following the recent history of Tixcacalcupul stresses the importance they
played in the technical changes outlined both the action of institutions such
as the Cultural Missions of the Ministry of Education who taught village women
to weave with racks in position Vertical and hemp thread (1964), such as
middlemen who created a permanent demand for hammocks for sale, thus helping to
strengthen the development of this craft as a subsistence activity that is
essential for many families in the village.
Economic
inequality that characterizes rural communities of Yucatan and was accentuated
with the arrival of Hurricane Gilbert (1988) influences the different types of
hammock that are made today.
Some
families, not having money to buy commercial yarn, resort to the strategy of
dismembering the plastic bags in which they are sold fertilizer, rice or sugar
and, through the old system corchado, obtain strips plastic thread with which
hatched their hammocks. In the same case, lack of economic resources, are those
who make their own instruments work using the old techniques. It should be
noted that the hammocks that are made in these technical conditions are usually
self-consumption.
However,
it has greater acceptance in the market nylon hammock results in other
"hook" of low-income families. As already mentioned, this is that the
broker provides the thread to weave, compromising the delivery of the product
within certain time and a certain level of quality. Usually what the urdidor
delivery is the "body" of the hammock, which is called maya wíinkal
and the broker ends the piece by adding the "arms", or k'ab in Maya,
and Maya eyelet whose name is yiich. This type of production is paid to the
producer piecework, or delivered by piece.
Thus,
intermediaries are those who have control of the production process, they
determine their demand rhythms and working times, set the price paid to labor
and marketing hog.